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In addition to providing a relative chronology, the architectural approach provides a better understanding of the choices that governed the different phases of construction of the building occupied for more than three centuries. The elements of material culture (ceramics, lithics, metallurgy) also lift the veil on a period essentially known in Brittany through funerary monuments. For the first time in this region, thanks to the preservation of organic remains, it is possible to outline the economy (livestock farming, agriculture, fishing, shellfish collection, etc.) of the people who occupied the shores of the Iroise Sea. Their way of life suggests a sedentary community with a subsistence economy, exploiting all the island resources without being cut off from the continent (ceramic style, metallurgy). In order to better understand the overall evolution of this island environment, new research has been carried out on variations in sea level correlated with the study of the plant landscape, geomorphology, geology and fauna. With contributions from David AOUSTIN, Loréna AUDOUARD, Salvador BAILON, Agnès BALTZER, David BOURGARIT, Loïc BOURY, Philippe CHAMBON, Gilles CHAZOT, Fabien CONVERTINI, Yvan COQUINOT, Jean-René DARBOUX, Klet DONNART, Yvon DRÉANO, Catherine DUPONT, Michel ERRERA, Axel EHRHOLD, Bernard FICHAUT, Marcaurelio FRANZETTI, Henri GANDOIS, Jean-Pierre GONIDEC, Jacques GRALL, Jean-François GRIVEAU, Gwen JOUET, Pauline HANOT, Cécile LE CARLIER DE VESLUD, Nicolas LE DANTEC, Michel LE DUFF, Bernard LE GALL, Antoine LOURDEAU, Nancy MARCOUX, Dominique MARGUERIE, Aurélie MAYER, Arnaud MAZUY, Caroline MOUGNE, Michel PHILIPPE, Amandine PINEAU, Martine REGERT, Joël ROLET, Laure SALANOVA, Farid SELLAMI, Christophe SÉVIN-ALLOUET, Pierre STÉPHAN, Claire STÉVENIN, Serge SUANEZ, Jean-Pierre TISSIER, Anne TRESSET, Julien TREUILLOT, Lore TROALEN, Pierre YÉSOU.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39839221973176,"sku":"23491","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/006768774.jpg?v=1623091168"},{"product_id":"empreinte-maritime-ii-jeu-de-cartes","title":"Maritime Footprint II. Card game.","description":"\u003cp\u003e A collection of animal prints made partly from nautical charts that belonged to the Breton artist André Dauchez.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39839288721592,"sku":"23759","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/008687370.jpg?v=1623091621"},{"product_id":"empreinte-maritime-i-gyotakus-et-autres-peintures","title":"Maritime imprint I. Gyotakus and other paintings.","description":"\u003cp\u003e No book yet presents this original work, which combines meticulous observation, faithful reproduction and a sense of composition to the point of going beyond realism and touching on pure poetry.\u003c\/p\u003e\n\n\n\u003cp\u003e Around sixty works have been chosen here, preceded by a text which looks back at the science of gyotaku, J.-P. Guilleron's travels to Japan and his association with the masters, photographs of the stages of creation, etc.\u003c\/p\u003e\n\n\n\n\n \u003cp\u003eThe interior and cover creative paper give this artist's notebook a precious and tactile feel.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39839289213112,"sku":"23760","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/008685643.jpg?v=1623091623"},{"product_id":"la-saga-lesage-3-architectes-le-metier-et-la-cause","title":"The Lesage saga. 3 architects, the profession and the cause.","description":"\u003cp\u003e Over three generations, architects Victor, Robert and Pierre Lesage left more than just a mark in stone (the Palais de la Mutualité, Paris, etc.): a journey made up of significant commitments that continue to this day.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39839289409720,"sku":"23761","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/009095112.jpg?v=1623091624"},{"product_id":"guy-hersant-un-photographe-en-campagne-saint-jean-brevelay","title":"Guy Hersant, a photographer in the countryside. Saint-Jean-Brévelay.","description":"\u003cp\u003eBy opening a year-long project in June 1983 in Saint-Jean-Brévelay and the surrounding communes of Morbihan, the photographer Guy Hersant was responding, as a neighbor from Lorient at the time, to a commission from the BPI of the Pompidou Center in Paris. At that time, the Breton countryside was rustling under the wind of a modernity that had been sweeping in since the sixties in land consolidation, mechanization, free stalls and milking parlors, corn silage, livestock buildings that freed themselves from the old farm architecture, the de-habitation of young farmers from the old ones, cooperatives, and the Common Agricultural Policy of what was still the European Economic Community.\u003cbr\u003e\n The photographic mission aimed to bear witness to this major shift in agricultural Brittany, the beginnings of which had already been observed in the commune by the CNRS Rural Sociology Study Group - a partner organisation in the project with the BPI - starting in the 1960s.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39854633910456,"sku":"23781","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/9782350464978-475x500-1.jpg?v=1623273831"},{"product_id":"ouessant-3","title":"Ushant.","description":"\u003cp\u003eBetween 1977 and 1984, photographer Guy Hersant visited the island 24 times. He photographed its inhabitants, their customs, their festivals, and their daily lives in black and white. There, he met the Ouessant women with their hair down.\u003c\/p\u003e\n\n\n\u003cp\u003e​\u003c\/p\u003e\n\n\n\u003cp\u003e Mona Ozouf agreed to write the text that accompanies this work. It begins as follows:\u003c\/p\u003e\n\n\n\n\n\u003cp\u003e “It was delightful to draw Brittany during geography class, with its indentations, its points, its hollows, and its graceful shape: almost a boat, its prow to the west wind […] The boat had, however, what a pity, gotten a little bogged down on the side of its compact eastern steps; I sometimes imagined a tidal wave, of the peaceful kind it is true, which would free it from its heavy ties. A chance for it to finally put to sea. Who said island said departure, and promised freedom.”\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39854633975992,"sku":"23787","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/ouessant-9782956375319_0.jpg?v=1623273842"},{"product_id":"un-feu-sur-la-mer-memoires-d-un-gardien-de-phare","title":"A Fire on the Sea. Memoirs of a Lighthouse Keeper.","description":"\u003cp\u003e\"Sheltered behind the forge, we silently contemplate the Iroise lighthouses which, in near-perfect synchronization, have come to oppose the dawning night with their ballet of colored lights. Every evening of the week, we will reproduce this way of doing things: we will both go up early, we will hang around a bit, we will talk a lot while wiping down the group that has just stopped, we will sing to celebrate the silence that has returned, we will laugh at nothing. While the alcohol lamp heats up the burner, we will go out onto the gallery to get some fresh air, smell the sea, read the sky and risk a weather forecast. Then, in silence, we will listen to the ocean, each lost in our own thoughts. I will feel at home on this gallery, isolated between sky and sea, but fully alive, in friendship with the planet and its inhabitants. These moments of twilight during which nothing happened have strangely inscribed themselves in my life and my memory has preserved them like precious fragments of happiness. \"\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":39854634041528,"sku":"23788","price":20.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/9782956375326-475x500-1.jpg?v=1623273844"},{"product_id":"henry-moret-1856-1913-de-pont-aven-a-l-impressionnisme-en-bretagne","title":"Henry Moret, 1856-1913. From Pont-Aven to Impressionism in Brittany.","description":"\u003cp\u003e A luminous singer of the Breton shores, Henry Moret was involved in the great pictorial movements that revolutionized the history of art at the end of the 19th century. Close to Paul Gauguin, he occupied an important place in the Pont-Aven group. His painting, of great originality, fused the audacity of Synthetism with the achievements of Impressionism. Over time, his sensitivity became more acute and led him to evoke a nature poeticized by the freedom of the brushstroke. Never has Brittany been so magnified!\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40029914071224,"sku":"23869","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/009475907.jpg?v=1625859809"},{"product_id":"ecole-de-pontaven-variations-sur-la-ligne","title":"Pont-Aven School. Variations on the line.","description":"\u003cp\u003eThis book aims to highlight, based on the museum's collection, the intimate, instinctive, and preparatory aspects of the creative process of artists associated with the \"Pont-Aven School\" movement and Synthetism. The selection of works on paper reveals a certain freedom of gesture, specific to each artist. Generally the precursors to more accomplished oils on canvas, the sketches reveal the initial intention, the unconscious element prior to the plastic translation of lines and shapes.\u003cbr\u003e\n The variety of techniques presented in the exhibition also demonstrates the group's appetite for printmaking, combined with often bold choices of papers with various finishes. The famous exhibition at the Café Volpini, presented at the 1889 Universal Exhibition, included, among other things, two series of zincographs, on yellow paper, produced for the occasion by Gauguin and Bernard.\u003cbr\u003e \nThe exhibition will feature several original copies. The interplay of correspondences and repetitions of motifs will be explored through the lens of characters featured in several works. The artists also devoted themselves to illustrative work for several magazines of the time, such as Ymagier, an illustrated literary magazine founded by Remy de Gourmont and Alfred Jarry in October 1894. Foreword by Laurence des Cars, president of the Musée d'Orsay and Musée de l'Orangerie.\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40029914562744,"sku":"23871","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/009428204.jpg?v=1625859813"},{"product_id":"gauguin-et-lecole-de-pont-aven","title":"Gauguin and the Pont-Aven School.","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003ePaul Gauguin spent thirty-four months in Pont-Aven and Le Pouldu, on five visits between 1886 and 1894. He became friends with around twenty painters, such as Charles Laval and Émile Bernard, with whom he maintained fruitful and sometimes stormy artistic exchanges. Moving away from Impressionism, he invented a style of painting asserting itself through superimposed flat areas of color separated by outlines, according to new principles of composition and formulation of space, establishing a new relationship between a theme, perceived in a symbolic manner, and its plastic expression. This technique, which would come to be called \"synthesis\" or \"synthetism\", is one of the first breaks with traditional painting, and therefore one of the first stages in the genesis of modern art of the 20th\u003c\/span\u003e \u003csup data-mce-fragment=\"1\"\u003ecentury\u003c\/sup\u003e \u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn isolated village in Brittany, Pont-Aven became known in the 1830s for the development of a colony of artists, both French and foreign, curious to paint the wild landscapes and traditional costumes linked to ancestral traditions. The arrival of Gauguin, his various stays and the masterful works he created in Brittany (\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Vision after the Sermon\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Beautiful Angel\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Yellow Christ\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e) would structure the history of the Pont-Aven school. His age difference, his personality and his experience made him seem like the \"master\" in the eyes of young artists. The words \"student\" or \"lesson\" appear several times in his writings when he mentions Ernest de Chamaillard, Paul Sérusier, Meijer De Haan, Armand Seguin, Mogens Ballin, Jan Verkade. \"Synthetism\" spread rapidly, in particular thanks to the masterful \"lesson\" that Sérusier received while painting, to Gauguin's dictation,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eThe Talisman\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e(Musée d'Orsay), a founding work of the Nabis group.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAround this research, relationships were formed in Pont-Aven or in the hamlet of Pouldu, but also in Paris, including during Gauguin's absence from Tahiti from 1891 to 1894. On the fringes of this innovative center, some painters displayed real independence, such as Henry Moret and Maxime Maufra, who went on the motif upon Gauguin's return in 1894, and others retained their own style, such as Henri Delavallée, a follower of pointillism, or Roderic O'Conor, influenced by Vincent van Gogh. After Gauguin's new departure for Tahiti in 1895, the Pont-Aven school found extensions in the influence of Sérusier on certain painters who would become abstract, or that of Cuno Amiet on the future members of the Die Brücke group in Dresden.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the time of Gauguin's death in 1903, his Oceanic works supplanted his earlier paintings. Art historians struggle to establish, within a \"Pont-Aven school,\" the relationships between a few painters like Sérusier and Verkade, who continued their research on \"holy measures,\" and others like Maufra, Moret, or Loiseau, who returned to a more traditional Impressionism under the aegis of the Durand-Ruel gallery. It was not until the first exhibitions or publications, in the 1950s, that the works of De Haan, Laval, or Filiger, who had been forgotten at the time, were discovered.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the publication of Wladyslawa Jaworska's comprehensive work,\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003ePaul Gauguin and the Pont-Aven School\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e, in 1971, numerous studies, exhibitions and editions of correspondence have gradually reduced most of the gray areas and now allow us to better understand and put into perspective one of the most astonishing episodes in the history of painting. They have contributed to the detailed chronology published at the end of the book, an essential tool for properly measuring the relationships between these twenty painters, their travels between Paris and Brittany or their installations in different places around Pont-Aven such as Le Pouldu, Doëlan, Le Huelgoat or Saint-Nolff. This research was all the more useful as previous studies were sometimes built on summary or inaccurate biographical presentations, in particular due to Émile Bernard's obsession with asserting his anteriority in the invention of synthetism.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe works reproduced here have been selected from public and private collections around the world. The chronology is richly illustrated with old photographs of the locations and artists. Articles from the local press and excerpts from letters and testimonies, some of which have never been published before, enrich the presentation.\u003c\/span\u003e\u003cbr\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40153788580024,"sku":"23940","price":59.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/9782754107679-001-T.jpg?v=1627577768"},{"product_id":"et-je-suis-devenue-galeriste-histoire-e-la-galerie-nuage-bleu-a-morgat","title":"...and I became a gallery owner. History of the Nuage Bleu gallery in Morgat.","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eA happy childhood in the countryside, a solid training as an economist... a priori, nothing destined Élisabeth Picot-Le Roy for the profession of gallery owner, which she happily takes on at over forty.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt is this atypical journey – far from the speculative considerations of the art market – full of sensitivity and feeling, that the Morgat gallery owner offers us in a story rich in anecdotes, testimonies, and situations that reveal the twists and turns and joys of a very demanding profession. The pleasure of reading a lively and original story, with the salty taste of Breton sea spray, is added to the interest of a sincere, rigorous and perfectly fair testimony.\u003c\/span\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40170939646136,"sku":"23946","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/2019-09-30_1919-201x300.png?v=1627724050"},{"product_id":"filiger-correspondance-et-sources-anciennes","title":"Filiger. Correspondence and ancient sources.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCharles Filiger, a cult painter of the Pont-Aven school, was close to Gauguin. His tortured, astonishing, and sublime career is finally rediscovered here in his abundantly illustrated and annotated correspondence.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThis beautiful book constitutes a considerable work of exhaustive collection and critical presentation, accompanied on 312 large-format pages by 140 works by Filiger and various documents, photographs, illustrated books and drawings.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFiliger had a very complicated life, filled with misery and madness. But his artistic genius places him among the ranks of cult painters. His rare works are worth fortunes on the world market.\u003c\/span\u003e\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40361012232376,"sku":"23983","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/006330373.jpg?v=1642775673"},{"product_id":"le-beau-pays-de-bretagne","title":"The beautiful country of Brittany.","description":"\u003cmeta charset=\"utf-8\"\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e As a prelude to the book to be published by Locus Solus of the complete lithographs of Henri Rivière (presented by the same two specialists), here is brought together the complete emblematic series: \"The beautiful country of Brittany\". With magical views of the coasts and the countryside. A short presentation precedes this mini art book to be offered as a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eA souvenir book from Brittany, with a charm accentuated by its finish on creative paper and its elegant and sober layout. This book-object celebrates Brittany and introduces the art of Rivière.\u003c\/p\u003e\n\n \u003cp data-mce-fragment=\"1\"\u003eHenri Rivière (1864-1951) is one of the most popular artists, not necessarily by his name but by his Japanese-style prints. They have enjoyed extraordinary success since their creation at the turn of the 19th and 20th centuries. And while a few books have already mentioned them (most recently published: Catalogue de la BnF, 2016), nothing recent is available to date...\u003c\/p\u003e\n\n\u003cp data-mce-fragment=\"1\"\u003e \u003cem data-mce-fragment=\"1\"\u003eIn 2021, we commemorate the 70th anniversary of the death of Henri Rivière.\u003c\/em\u003e\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40458478125240,"sku":"24035","price":12.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/b6b02c_79e64e19c9434d3a9761a16308a880f8_mv2.jpg?v=1631010923"}],"url":"https:\/\/anttopinoe.com\/en-en\/collections\/bretagne.oembed","provider":"Antinoë","version":"1.0","type":"link"}