{"product_id":"la-communaute-inavouable-madrid-octobre-68-la-comunidad-inconfesable-madrid-octubre-68","title":"The Unspeakable Community. Madrid, October 68. The Unspeakable Community. Madrid, October 68.","description":"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn 1968, the first computer appeared at the University of Madrid, marking the beginning of the Computing Center's activities. After decades of cultural isolation, artists, musicians, architects, engineers, scientists, and intellectuals began to reflect on the use of computers in their creative processes. The Computing Center became the most significant space for creative freedom at the end of the dictatorship, establishing itself as a structure for collective experimentation, in a context where the gathering had an almost subversive significance.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe immunity provided by the aura of technology, seemingly non-ideological, allowed the Centre to give unprecedented impetus to Spanish innovation, which had remained in gestation. A double rupture ensued: the collapse of the cultural bloc imposed by the political regime; the disappearance of the boundaries between the different fields of creation, opening up experimentation to new avenues of expression.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eBy building \"bridges between an absolutely virtual and imaginary world, and a real world\", the Computing Centre opens writing to other horizons of experimentation, such as music and the plastic arts, while drawing inspiration from new theories\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003elinguistics of Noam Chomsky and information of Max Bense.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book revisits the historical work of Javier Seguí de la Riva, which forms the necessary corpus to understand the context of the time and to connect the works of architects and artists, in a permanent questioning around the cohabitations between imagination and experimentation. As for the moving forms of José Luis Alexanco, they rub shoulders with the\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eImpossible Figures\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eof José María Yturralde, in dialogue with the poetry of Ignacio Gómez de Liaño and Guillermo de Searle.\u003c\/span\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40106890199224,"sku":"23923","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/008497504.jpg?v=1626958234","url":"https:\/\/anttopinoe.com\/en-en\/products\/la-communaute-inavouable-madrid-octobre-68-la-comunidad-inconfesable-madrid-octubre-68","provider":"Antinoë","version":"1.0","type":"link"}