{"product_id":"le-nil-dans-la-culture-medievale-regards-croises-dorient-et-doccident-xe-xvie-siecle-annales-islamologiques-57","title":"The Nile in Medieval Culture. Crossed Perspectives from East and West (10th-16th Century). Annales islamologiques 57. ","description":"\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Abbès Zouache\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 1-2\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEditorial\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Robin Seignobos\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 3-12\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIntroduction\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Jean-Charles Ducène\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 13-26\u003c\/div\u003e\n\n\u003cdiv\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eHow to Approach the Paradise Sources of the Nile: The Exploration of Ḥāʾid ibn Abī\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003cdiv\u003e \n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSālūm\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Robin Seignobos\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 27-52\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIn Nile ink. The Fayḍ al‑madīd fī aḫbār al‑Nīl al‑saʿīd of Ibn ʿAbd al‑Salām al‑Manūfī (d. 927\/1521 or 931\/1524-1525)\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Emmanuelle Vagnon\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 53-72\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRiver of Gold and Earthly Paradise. The Nile in Late Medieval Maps and Travelogues\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Benjamin Weber\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 73-98\u003c\/div\u003e\n\n\u003cdiv\u003e \n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBetween Fear and Diplomacy. The Paradox of the Diversion of the Nile Flood in Diplomacy between Egypt and Ethiopia (14th-15th Centuries)\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Mathilde Alain\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 99-126\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e“Este, ten, que corre ao longo do Nilo”. The Nile in the story of Francisco Álvares (1520-1526)\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Anna Lagaron\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e p. 129-152\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCommemorations of births and baptisms. The case of the Arabic graffiti of the temple of Isis at Philae (Aswan, late 4th\/10th century)\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Mehdi Ghouirgate\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 153-176\u003c\/div\u003e\n\n\u003cdiv\u003e \n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSunt verba et voces praetereaque nihil or the restitution of a forgotten Almohad chronicle al‑Mann bi‑l‑Imāma\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Jean-Charles Ducène, Florence Somer\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 177-250\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe Kitāb Ṭirāz al‑dahr fī asrār al‑ḫalq wa‑l‑amr of Ǧāmāsp in the redaction of Muḥammad ibn Abī Bakr al‑Fārisī (7th\/13th century) (Milan, Ambrosiana C. 86)\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Damien Coulon\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 251-272\u003c\/div\u003e\n\n\u003cdiv\u003e \n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA Decisive Phase of Intense Diplomatic Negotiations between the Mamluk Sultanate and Western Powers (the Crown of Aragon, and the Republics of Genoa and Venice), 1288–1293\/AH 687–692\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e May Mohamed Kolkailah\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 273-342\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eḤūš al‑Bāšā. The Royal Cemetery in Cairo\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art\"\u003e\n\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\n\u003cdiv class=\"elem-art-aut\"\u003e Abd El Wahab Abd El Fattah\u003c\/div\u003e\n\n\u003cdiv class=\"elem-art-det\"\u003e\n\n\u003cdiv\u003e pp. 343-448\u003c\/div\u003e\n\n\u003cdiv\u003e\n\n \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMasākin kibār rijāl al-dīn fī miṣr al-qarn al-tāsiʿ ʿashar: sarāy al-shayḫ Muḥammad al-ʿAbbāsī al-Mahdī unmūḏajan\u003c\/span\u003e \u003cbr\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":47990157836612,"sku":"30537","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/files\/niOCTJwMKu5hce19qxVQ03b01pRhyyEFGlFIw-O_dykkP4FklBmyLA-cover-large.jpg?v=1708688122","url":"https:\/\/anttopinoe.com\/en-en\/products\/le-nil-dans-la-culture-medievale-regards-croises-dorient-et-doccident-xe-xvie-siecle-annales-islamologiques-57","provider":"Antinoë","version":"1.0","type":"link"}