{"product_id":"soleils-noirs","title":"Black suns.","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eThe color of paradox, is black an absence of light, a void, or a joyful sum of all colors, a dazzling effect?\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlack Suns\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eimmerses the reader in a fascinating exploration of this tone with its multiple symbolism in Western art, from antiquity to the present day. This immersion begins with a familiar experience of black, thanks to artistic representations of themes omnipresent in art history, such as the night and its black sky.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIf plunging into darkness is a physiological experience known to everyone, the color black forms a structuring but ambiguous element in the representation of the sacred, at once the color of all beginnings, of infinity, of timelessness, but also that of death and ignorance. There is in this ambiguity as much fear as fascination, both ferments of the melancholic feeling, dear to artists to sublimate in their creations the beauty and sensuality of black.\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA codified color in life and fashion, black constitutes in the portraits of modern Europe a social luxury, a mark of elegance or the marker of a function, as much as a pleasure for the painter. Black thus becomes the emblematic color of industrial and aesthetic modernity. It liberates itself to the point of becoming a plastic substance constantly questioned, as evidenced by Pierre Soulages'\u003c\/span\u003e \u003cem data-mce-fragment=\"1\"\u003eOutrenoir\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eCollective work under the direction of Marie Lavandier, Director, Louvre-Lens Museum, Juliette Guépratte, Director of Strategy, Louvre-Lens Museum, Luc Piralla-Heng Vong, Deputy Director, Louvre-Lens Museum.\u003cbr\u003e With contributions from Vincent Pomarède, Sébastien Allard, Olivier Bonfait, Valérie Sueur-Hermel and Alain Fleischer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":40107255496888,"sku":"23925","price":39.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/products\/9782359063110.jpg?v=1626963545","url":"https:\/\/anttopinoe.com\/en-en\/products\/soleils-noirs","provider":"Antinoë","version":"1.0","type":"link"}