{"product_id":"le-nil-dans-la-culture-medievale-regards-croises-dorient-et-doccident-xe-xvie-siecle-annales-islamologiques-57","title":"Le Nil dans la culture médiévale. Regards croisés d'Orient et d'Occident (Xe-XVIe siècle). Annales islamologiques 57.","description":"\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eAbbès Zouache\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 1-2\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEditorial\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eRobin Seignobos\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 3-12\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIntroduction\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eJean-Charles Ducène\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 13-26\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eComment s’approcher des sources paradisiaques du Nil. L’exploration de Ḥāʾid ibn Abī \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSālūm\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eRobin Seignobos\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 27-52\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eÀ l’encre du Nil. Le Fayḍ al‑madīd fī aḫbār al‑Nīl al‑saʿīd d’Ibn ʿAbd al‑Salām al‑Manūfī (m. 927\/1521 ou 931\/1524‑1525)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eEmmanuelle Vagnon\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 53-72\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRivière de l’or et Paradis terrestre. Le Nil dans les cartes et récits de voyage de la fin du Moyen Âge\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eBenjamin Weber\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 73-98\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEntre crainte et diplomatie. Le paradoxe du détournement de la crue du Nil dans la diplomatie entre l’Égypte et l’Éthiopie (xive‑xve siècles)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eMathilde Alain\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 99-126\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e« Este, dizem, que corre ao longo do Nilo ». Le Nil dans le récit de Francisco Álvares (1520-1526)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eAnna Lagaron\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 129-152\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCommémorations de naissances et de baptêmes. Le cas des graffiti arabes du temple d’Isis à Philae (Assouan, fin du ive\/xe siècle)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eMehdi Ghouirgate\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 153-176\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSunt verba et voces praetereaque nihil ou la restitution d’une chronique almohade oubliée al‑Mann bi‑l‑Imāma\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eJean-Charles Ducène, Florence Somer\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 177-250\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLe Kitāb Ṭirāz al‑dahr fī asrār al‑ḫalq wa‑l‑amr de Ǧāmāsp dans la rédaction de Muḥammad ibn Abī Bakr al‑Fārisī (viie\/xiiie siècle) (Milan, Ambrosienne C. 86)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eDamien Coulon\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 251-272\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA Decisive Phase of Intense Diplomatic Negotiations between the Mamluk Sultanate and Western Powers (the Crown of Aragon, and the Republics of Genoa and Venice), 1288–1293\/AH 687–692\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eMai Mohamed Kolkailah\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 273-342\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eḤūš al‑Bāšā. The Royal Cemetery in Cairo\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-fic\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"elem-art\"\u003e\n\u003cdiv class=\"elem-art-ligne\"\u003e\n\u003cdiv class=\"elem-art-aut\"\u003eAbd El Wahab Abd El Fattah\u003c\/div\u003e\n\u003cdiv class=\"elem-art-det\"\u003e\n\u003cdiv\u003ep. 343-448\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMasākin kibār rijāl al-dīn fī miṣr al-qarn al-tāsiʿ ʿashar : sarāy al-shayḫ Muḥammad al-ʿAbbāsī al-Mahdī unmūḏajan\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Antinoë","offers":[{"title":"Default Title","offer_id":47990157836612,"sku":"30537","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0574\/4043\/6408\/files\/niOCTJwMKu5hce19qxVQ03b01pRhyyEFGlFIw-O_dykkP4FklBmyLA-cover-large.jpg?v=1708688122","url":"https:\/\/anttopinoe.com\/fr-en\/products\/le-nil-dans-la-culture-medievale-regards-croises-dorient-et-doccident-xe-xvie-siecle-annales-islamologiques-57","provider":"Antinoë","version":"1.0","type":"link"}